Pride and Prejudice vs Wuthering Heights - 3113 Words

[pic] PRIDE AND PREJUDICE vs. WUTHERING HEIGHTS About structure and mood There are a number of differences. First of all, the narrative structure is very different. Pride and Prejudice is chronological, told by a limited 3rd person narrator. Wuthering Heights begins at present, and then is told as a series of flashbacks, sometimes through letters, but with two different first-person narrators. Pride and Prejudice reads chronologically, with someone telling you about the characters. Wuthering Heights skips around (making it a bit confusing and mysterious), and you hear the story through the eyes of the characters. The mood of the novels is quite different as well. Pride and Prejudice is a†¦show more content†¦This lifestyle choice was terrible because women’s social position was determined by either their fathers or their husbands. Women did not have the option to be the heir to their family estates and were also uneducated so a good job was virtually impossible, yet another reason as to why women were so dependent on the men in their lives. As seen, women were taught to obey and follow their husbands. That is what their mother’s did and that is all that women of this time knew. If married women were to work to help support their family, all their earnings went to their husband. Women also did not have the right to obtain a divorce. In 1857 men were given the right to divorce their wives on the sole grounds of adultery. After the divorce the husband was granted all of the personal, shared possessions including the children. Women were often abused by their husbands becau se there were absolutely no restrictions placed on men. Wives had no way out of a marriage, and often enough did not went out because of the hardships that they would inevitably face if they chose to be alone. Emily Brontà « and Jane Austen grew up in similar households. Their parents were wealthy enough to live comfortably, yet could not provide their daughters with much money to marry with, such as Mr. Bennet of Pride and Prejudice. They both had many siblings and grew up with an abundance of other children in the house. They received littleShow MoreRelatedPride and Prejudice by Jane Austin Vs. Wuthering Heights by Emily Bronte902 Words   |  4 Pagesfrom Pride Prejudice by Jane Austin, can be seen as a different role model when compared to Heathcliff in Wuthering Heights by Emily Bronte. Both novels have a similar background but with a different twist. Austin’s description of writing is seen to be related to a more realistic and satire approach, whereas Bronte’s style seems to be a bit gothic. Furthermore, both novels have a romantic presentation of two very unique genders that fall deeply in love with one another. Pride Prejudice startsRead MoreImportance of Affirmation: Perceived Value Effect1680 Words   |  7 Pagestreatment of others, and harm to the child. Societal flaws are paralleled in literature to act as foils of society. This concept is reflected in characters that represent caricatures of humanity in the novels Wuthering Heights, The White Tiger, and The Picture of Dorian Gray. In Wuthering Heights, Heathcliff is abused as a child and, consequently, as an adult, he acts primarily out of fear and jealousy in his search for affirmation. Heathcliff has poor self-esteem that is rooted in the mistreatmentRead MoreCause and Impact Analysis on the Main Character’s Suffering in Elizabeth Gilbert’s Novel Eat, Pray, Love7348 Words   |  30 Pageshistorical background, a detailed reconstruction of life in another time. For example: Sir Walter Scott’s novels. 7. The domestic novel, the novel which mostly talks about the domestic problems of certain family. For example: Jane Austen (Pride and Prejudice and Sense and Sensibility). 8. memoir†novel, a kind of novel that pretends to be a true autobiography or memoir. It was an important form in the emergence of the modern novel during the 18th century, in such works as Daniel Defoes MollRead MoreThe Studio System Essay14396 Words   |  58 Pagesindividuals. With this in mind, it is fair to say that the art director has more influence on a given film than nearly anyone else who works on the project. This was especially true in the 1930s when the Hollywood Studio system was at the height of its power. The way that credit was given for art direction makes it difficult to judge the work of the individuals who did the actual set design and visual design of the films of the thirties. In looking at art direction in